WILLEMSTAD – The Curaçao International Film Festival (CIFF) has announced the winners of its 2026 awards, highlighting exceptional storytelling and emerging talent from the Caribbean and beyond. The awards reflect the festival’s ongoing commitment to supporting new voices and increasing the visibility of regional cinema.
The Yellow Robin Award was presented to The Last Meal by Maryse Legagneur (Haiti). This 10th edition of the competition featured a strong selection of first and second feature films from the Caribbean, the region, and the diaspora. The winner receives a cash prize of USD 8,000, along with screenings at the Morelia International Film Festival in Mexico and Film by the Sea in the Netherlands.
The jury was unanimous in its decision, describing the film as “a remarkable work, the result of ten years of dedication. It is a powerful reminder that these voices matter and that indigenous stories must be seen and heard, told with strength, honesty, and impact.”
The newly introduced Watapana Award was granted to Fort Buku by Loelle Monsanto (Suriname). Inspired by the iconic watapana tree, the award symbolizes resilience and recognizes authentic storytelling from the Caribbean part of the Kingdom and Suriname. The jury praised the film’s smooth transitions and immersive narrative style, noting that “the presence of Anansi, thoughtfully woven into a contemporary context, adds a fascinating layer, while inviting reflection on how Suriname is perceived by those less familiar with its culture.”
A special mention was awarded to They Had One Job by Samueldavid Baromeo (Curaçao) for its flawless timing in this humorous short film.
The first Impact 1 Award, aimed at works in progress, was awarded to The Fool and the Moon by Julia Scrive Loyer, accompanied by a cash prize of USD 5,000. From more than 40 submissions, four projects were selected for this inaugural edition. The jury highlighted the film’s rich musical undertones and strong cinematography, calling it “a captivating and immersive work that leaves a lasting impression.”
In addition, an in-kind post-production package from industry partner Atomica, valued at approximately USD 15,000, was awarded to Love is the Monster by Neto Villalobos.
Festival director Michael Elias commented on the results, stating that “this year’s selection demonstrates the strength, diversity, and urgency of stories from the Caribbean and the wider region. We are proud to provide a platform where these voices can be seen and connected to an international audience.”
With these awards, CIFF continues its mission to connect filmmakers and audiences while contributing to the development and global recognition of Caribbean cinema.
Winners will be announced during the Caribbean Media Awards Luncheon, a highlight of Caribbean Week in New York, bringing together leading voices in media and tourism to celebrate excellence in storytelling.