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Is the Tumba Festival Experiencing a Revival with 51 Registrations?

Local | By Correspondent January 28, 2025

WILLEMSTAD This year’s Tumba Festival has garnered 51 registrations, a notable increase from the historically low turnout of 43 participants last year. This has sparked curiosity about whether the festival is on an upward trajectory. 

Sunday’s registration event at the Curaçao Festival Center drew significant media attention, as usual. Artists from across the island filled out their details on the organization’s tablets. The physical registration took place inside the building, while outside, tents hosted live broadcasts by nearly all Papiamento-language radio and TV stations. Popular performers made rounds at the microphones to share their excitement about participating, although the actual Tumba songs will remain a secret until the festival performances. Die-hard fans may catch a glimpse during rehearsals, though recording audio or video is strictly prohibited. 

The preliminary rounds of the Tumba Festival will take place from Monday, February 3, to Wednesday, February 5, with the grand finale on Friday. The winning Tumba King or Queen’s song typically becomes the anthem of Curaçao’s Carnival season. 

A Revival in Participation? 

With 51 participants registered, the numbers this year surpass last year’s 43, though some may drop out before the competition begins. Concerns about the declining popularity of this traditional Curaçaoan Carnival genre have lingered for years. A decade ago, participation often exceeded 60 artists, a figure that hasn’t been reached in years. Even in Carnival parades, tumba music has seen competition from urban beats and roadfire tracks. While this increase doesn’t guarantee a full revival, festival organizer AMAK can breathe a sigh of relief with the higher turnout. 

Regional Participation 

The Tumba Festival isn’t just a local affair. Aruban band Buleria, led by Rocco Franken, has consistently secured spots in the finals and returns this year. Interestingly, multiple Tumba winner Robertico “Benoni” Balentien has parted ways with his band ERA and will perform with Buleria instead. Another standout is Bonairean artist Luis Moka, a previous Tumba Festival winner in Bonaire, who will compete with a new group. Bonairean singer Semii Marten will also participate with Highway Band, adding to the regional flair. This broadening appeal may position the Tumba Festival as an exportable cultural product. 

A Political Stage? 

Two notable political figures are among the participants. Carlton Manuel, Curaçao’s Minister Plenipotentiary in The Hague and a member of the ruling MFK party, will perform with the band Excellence. Manuel’s musical background is well-known, but his participation is hard to separate from the upcoming March 21 elections. Similarly, PNP Member of Parliament Gwendell Mercelina has joined the competition with the band Catipa, prompting speculation that election campaigns are making their way into the Festival Center. 

The Role of Youth 

Amid the rise of urban and roadfire music, the involvement of young artists offers hope for tumba’s future. Talented performers like Luis Moka appeal to a younger audience, while last year’s winner Charel “Adjatay” Denisia has established himself as a rising star with his energetic performances. Newcomers like Thalyssa Jano, daughter of former Tumba champion Urvin “Luwi” Jano, represent the next generation of tumba artists. 

Challenges Ahead 

While interest and youthful talent seem to be growing, the financial burden remains a challenge. Composing a song costs roughly 1,500 guilders, with similar expenses for arrangements. Hiring a band can exceed 1,000 guilders, and importing a Venezuelan brass section adds significant costs. With additional expenses for costumes and merchandise, participants often face bills upwards of 5,000 guilders. Prize money from a finals appearance helps recoup costs, but for newcomers, sponsorship is often a steep hurdle. 

However, the increase from 43 participants last year to 51 this year signals renewed confidence among artists.

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